Focused on constructing the Beach Brigade hats and belts, Midway Mania hats and helmets, Coaster Chaos shoulder extensions and knee pads, and Finale Flag Brigade sashes.
Basic alterations were done to many other garments throughout the Parade.
Focused on alterations such as: hems, taking in waist bands, suit jackets, and adding straps to dresses.
Also focused on creating "button holes" in garments to hide/discretely access harnesses on Grandma, Grandpa, and Drummers.
Construction: fabric fussed with sturdy interfacing to front and back faces, ironed to create concave effect.
Applique: addition of a coat tail, shoulder pieces, satin lining and lapel to preexisting suit.
Costume Design: Kate Smeltzer
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Applique of embroidered tulle over skirt, braided trim applied to finish off the raw edge.
Alteration: hemmed both men's pant legs and took up the sleeves of the brown suit.
Alteration 1: detached skirt from a preexisting dress, created casing for elastic.
The dress was worn by two actresses with differing body shapes, therefore, a top skirt section would attach to the preexisting waistband with snap tape.
Costume Designer: Kelly Vogel
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Cross-Body Harness Construction: leather boot pieces cut/sewn into straps, straps secured around metal hoops, snaps fastened to the bottom, front strap for quick-release.
Construction: two pleated skirt sections sewn to a waistband, snaps and hook/bar used as closures.
Costume Designer: Rana Esfandiary
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Construction: satin flat-lined to linen, buttonholes were created for the scarfto peek in and out of the neckline. An invisible zipper was added to the back of the shirt and skirt.
Alteration: pant hem taken up, stirrup added.
Costume Designer: Lexey Jost
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Construction: casing around wrists and waist for thin, corded elastic. Hand stitched neckline. The show had two performers wearing the same dress, so it had to be made to fit both.
Applique: thick, woven trim with corners sewn to create a seamless pattern around the placket. Trim added to sleeve seams.
Alteration: sleeves taken up, collar removed.
Costume Designer: Rana Esfandiary
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Construction: flat and draped organza flat-lined to heavier linen.
Costume Designer: Chelsea Pitts
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Alteration: sleeves and skirt shortened, casing for elastic made around the sleeve hem.
Construction: separate, gathered waistband. Skirt had to be taken off and the top section was cut off due to a stain.
Costume Designer: Kate Smeltzer
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Construction: hand-painted, duchess satin flat-lined to linen for structure. Mesh was cut into strips, finished,and applied to the neckline and skirt hem. Pom-pom balls were hung at the hems by embroidery floss.
Costume Designer: Katelynn Schultz
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Construction: wire mesh sewn to a baseball cap,
Costume Designer: Robert Crone
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
Costume Design by Lexey Jost
Cutter/Draper: Gail Trottier
Photographer: Luke Jordan
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